Tuesday, October 16, 2012

STREET POEMS, with graphics





NOBODY HOME

Between Muirfield Road and Culduthel Road,
In Inverness, there is a street with no name.
But, you can get there.

An old stone building is quietly hidden
Surrounded by a low iron gate
In a lush green fragrant forest.
All sad sounds have fallen away
The many footprints are gone
And all that is left is the still.

The now boarded up windows
Allow no lights from inside to
Show the way home
And I think
Nobody is home
In this long ago forgotten home.



DESERTED HOUSES

On McDonald Road,
In Lovington, on the dusty
Road under the blue sky
There is an old wooden
House that is deserted.
There's nothing left of the roof,
Or the porch, or the doors.

I traveled down that lonesome road
And saw another house, also deserted.
And then another, set far back and
Looking all broken and empty, too.

I suppose at some time people
Played here, and danced here
Maybe they even sang here
In these now empty rooms.

But, they are all gone now
And nothing is left to hear.
Not the songs they sang or
Even the sound of the wind
That once was, once was
Right there and heard
On days long gone.



PICTURE PERFECT

On Tazewell Avenue Southeast,
In Roanoke, some houses sit very high
Above the street under a bleak grey sky.
The trees are suffering and bent and leafless
And the air appears to be chillingly cold.

I wonder who climbs those long steep
Staircases to sit closer to that foreboding
Sky, where clouds cling together trying hard
Not to let thin patches of blue peek through
Because the view might be less mysterious.




THIS HEADY ELIXIR

On Clifton Hill,
In Niagara Falls, there is a soft intoxicating
Smell in the air of sweet and heady nostalgia.
Walkers cross the street to a bright lush green
Park and the water is then behind them as a
Light mist sprays their backs and the
Visuals turn into blurred memories
Set in stone.

All the excitement is about to begin.
There is a turquoise haunted house,
A beckoning moving theater,
The wax museum,
And a souvenir shop:
It's a massive swirling kaleidoscope of
Dreamlike and almost surreal color.

Then, in the center of all this heady elixir
Is a glorious and perfect SkyWheel,
Where I imagine children sit with parents
High up above it all, setting the graphics into
What will years later seem almost
Hallucinogenic.




BY THE SEA

On Coast Road,
in Larne, two people stand
Between the purple rocky cliffs and the
Pale colorless sea on the other side of
Yellow and purple flowers.

Cars pass by with drivers and passengers
Whose faces I will never see.
There is an open gate with a path that
Leads to an unseen place.

And soon, there is a sign that says,
"Boats," and then the sky turns magically blue.
But, in the distance the clouds are so low that
They touch the water.




STANDING STILL

On Højdevangs Allé,
In Copenhagen, the flowers
That line the street
Are so fragrant that two
Women stopped walking.

They stood between two buildings
To look at small blue flowers on
One side while purple and white
Flowers flourished without moving
Behind them, on the other side.




THE LIGHTHOUSE

On Main Street,
In Chatham, there's a lighthouse
Between the red, white, and blue flag
And a white house with a red roof
All at the end of the street.

There are cars looking to park and
Men pushing baby carriages
And women with shopping bags
And everybody is going one way:
To the ocean, to the blue ocean.

There's a lantern there to light
The way back at night to other
Places: to other places near to here
So that the walkers can go
Back the other way to reach home.
And the way is lighted so the drivers
Who have come from far away from here
Never quite reach the end of the street
At the end of the day.




REMEMBERING AN OLD STREET

On Main Street,
On Martha’s Vineyard, I am
Filled with bittersweet memories.
I remember Main Street...
I was there, so long ago.

I can still smell that ocean air,
So briny and salty and
All those summers come
Flooding back.

The day we ate in the diner
And how the jukebox blared all
The songs we loved.

In spite of all the quaintness
Of that lovely and charming place
I longed with desperation
To be some place else.

I suppose we are what we carry
Inside us and in spite of that
Heady beauty, whenever I was there
I longed to be somewhere else.

I suppose there are places that always
Make us want to go home.




ORDINARY THINGS

On Main Street,
In Northport, there is a
Guy standing in the middle of the street
Wearing an orange helmet
And a lady, riding a bicycle on the sidewalk,
Wearing a pale straw sun hat
And two children walking home from school
Wearing book bags and carrying skateboards.

A beautiful house proudly displays the flag,
There are two churches on both sides
When you reach Church Street
And one has lovely pink flowers in front.
There's a post office, a bank,
The fire department announcing
The "Fireman's Fair"...

In front of pristine houses on a crisp clear
Day ordinary things are happening
Where extraordinary things happened.
Nothing remarkable here at all
To speak of the remarkable man that
Once lived here.

Pass through this town, keep driving
Keep going, don't look over your shoulder
Keep going until you read the end:
The water with the boats and the looming
Hill on the other side
And you know you can't turn back.




GOING THE OTHER WAY

On Larimer Street,
In Denver, I went the wrong way
Because the sun was endlessly bright
And my eyes hurt.

So, I winced and decided to turn
Around and see a different view
And go the other way.
I longed for night, so the darkness
Might blur the vision.

In sunlight, there were too many new
Things and I longed for the
Old buildings; these pieces didn't fit.

This music is too now,
And the haircuts are too today.
These silvery parked bicycles
Have taken short trips.
The billiard club fills me with despair
For times gone by so I go over
And look at all the hanging beads for
Making necklaces, as if they held a key to
Some magical thinking and wearing beads
Could bring back what once was.

I wondered if this pawn shop
Accepts memories,
And keeps them safe
Until later when the memories
Are bought back.

Nobody finds places long gone.
But, taking back memories
Makes me smile.
On this street,
It would be fitting.




WHAT REMAINS

On Merrimack Street,
In Lowell, there's a signpost
That says: Detour.

Maybe he never should have
Taken the other road,
Maybe he should have gone
Back, gone the other way
And stayed on these roads.

The air at the end of these
Roads becomes thick and
Dense and there is fog.

Here, on lonely low bleak cloudy days
There are quiet somber and grey
Places: big old several storied houses
With many front steps and slanted roofs
And lots of windows for eye prints.

The houses on University Avenue
From long ago are comforting with
Stubborn intoxicating attics whispering
Secrets obsessed with what
Was, so returning to this street
Reveals air like a strange pentimento.

Old stores with faded signs, corner
Places that never ever yielded or
Changed and they don't bend, they
Remain strong, proud, and solid.

If he stayed for more than a short
Time he always heard the swing
Music; drizzling so he could remember.
At night, in dreams, when
The way became lost, he
Soon realized he never left.
All that time, all those years
His eyes were just closed.
The boarded up windows gave
Him reasons to cry.

Now, this is the end of the seductive
Road, his forever destination:
A place that always surfaced
When sad dreams and deep
Longing finally fell away...
And he had to return to this place
Like a traveler who finally uses his
Return trip ticket.
Home.




THIS PENTIMENTO

Via Comandante Simone Guli,
In Palermo, a street so old that
High above wives still hang the wash
Out over the black iron balcony gates
Next to green leaves and blue and white
Striped curtains falling out of windows.

Once children stood there with mothers,
Waiting for fathers to return home.
The red flowers now sit high over sad
Graffiti and a tobacco shop which
Serves as some reminder not
To obscure the view.




THE FRONT OF THE LIBRARY

On West 10th Street,
In Kansas City, there is a
Library that looks like
Books.

The front looks like
Big books all
Next to each other
All tall and proud.

Catch-22, Oh Pioneers!,
And Fahrenheit 451
To the left, and
Lord of the Rings, Truman,
And To Kill a Mockjngbird
To the right.

Take a walk through
The middle doors,
Right through the middle
And go inside, go all the way in
Walk right inside the books to the
Places the stories can take you.




THE BASKET BUILDING
On County Highway 585,
In Newark, there's a seven story
Building
That looks just like a basket.

I didn't want to be outside the
Building,
I wanted to be inside.

I wanted to be inside that basket.
And when I was inside,
I wanted to join hands with
Everybody else who was inside
And sing a song.

Some places are just like that.
They inspire singing;
I left this
Building,
This road
With a basketful of smiles.




SCENES FROM LONG AGO

On Beard Street,
In Kernersville, there are colorful
Wall murals which give glimpses
Into what was, long ago.

I saw ladies in billowing long
Red and white dresses standing
With gentlemen wearing tall hats
All waiting at the railroad station
For family arriving from faraway places.
Soon, they would all step into a horse
Drawn carriage to take a short ride home.

Nobody looked up to see the child
Perched high above who on bleak days
After school would climb to the flat roof
To wait for the trains to pass.

The trains were carrying weary passengers
Traveling to faraway places, and they were
Also going home.

Many years later, she would remember
The sound of the whistle as the trains
Passed and she would speak of the sound
As both sad and mournful,
Perhaps because it always
Strangely reminded
Her of all times past.




VISITING THE DEAD

On Maiselova,
In Prague, so many people
Come to visit the long gone
And dead at the Jewish
Cemetery near
Staronova Synagogue.

These are the dead from
The ages: they were born,
They lived, they loved,
And what's left here now
Is the dust to dust.
Visitors walk slowly as if a
Mere whisper might wake
These dead.

All the many people tiptoe
Quietly around and around
The wall around the old cemetery.
They walk around to get to the
Other side where there are boats
On the still water and newer things.
And they speak, or speak not,
Of times long ago.

The clock in the high distance
Reminds that time always passes,
It passes and passes and passes
In time with the heartbeats,
And there is always a solid wall to
Separate the living
From the dead.




OPTICAL ILLUSION

On Edinburgh Street,
In Winnipeg, parts of the ground were still
Covered in snow under a crisp blue and
White sky that almost crackled with sharp
Definition and clarity.

It was there that I turned a corner
And stopped at a driveway and saw
In the icy cold snow carved footprints
That finally reached an almost
Tropically lighted home.




THESE DAYS

On the Promenade,
In Blackpool, exquisite wonder
And bright colors create an intense
Kaleidoscope of magical fun.

There's a high tower and
Amusements and prizes and
Horse drawn carriages riding next to
Modern cars.

On the pier, there's a Ferris Wheel with
Rotating gondolas perfectly suited for
Grand and glorious views
Of luminous illuminations.

Luminous illuminations
All right by the sea
By the sea, so all the children
Who come here
Will remember these days.




PRETTY WALK

On East Guenther Street,
In San Antonio, I felt I should
Be wearing fancy ribbons in my hair
Because the houses are so pretty.

I passed by houses that are
Treasures with artistically sculptured
Facades and stunning lace screened
Verandas where guests might dine
On tea cakes spread out on crisp white
Doilies and later when the sun goes
Down, talk of small things that matter
And rinse their hands in dainty
Finger bowls to keep things fresh.

There's a place to stand to view the
Spot where the breathless
Flowing river passes through
Bringing a sense of sameness.

I got lost on this intoxicating street,
Longed to stay, and knew I could return.
There's a sense of serenity in this old
Comfort as the sunlight falls on this same
Street as it has fallen on this street forever.




THE GHOSTS OF GAY STREET

On Gay Street,
In New York City, there are quaint
Red and white and orange houses that are
Intoxicating because they are so old and little.

There is a building with turquoise shutters and
There are pinks and red and white flowers in
Lovely window pots and green trees
To the left and to the right.

The facade is frozen, but not the living...
Or the dead.

It is said that number 12 is...
Haunted. Maybe so.

But,
It is the house across the street where I see
A ghost.
She is peeking out from the second floor window
On the left side of an orange brick building.

She has bushy eyebrows and one hair roller
Sits on the top of her head.

Her mouth is open as if she is startled and
She appears to be more frightened than the
Tourists who down below night and day
Haunt the street looking for the
Ghosts of Gay Street.




SEEING ALMOST NOTHING

On Repatriation Road,
In Pickering Brook, I drove
For a long time
And saw almost nothing
Except the narrow road
Ahead and trees on both sides
With nothing behind me
And nothing ahead of me.
Then, I saw a tractor on one side
And a low gate on the other and
I knew I was reaching a place.
Some place.

Then, I saw a tiny little house
All alone there behind some flowers.
It had a front porch with old chairs
And some other muted things.
In front of the house was a tree,
Three times taller than the house!
I kept going.
I kept going
Chasing the end of that road.
Until I reached the end of the road.
Literally.
And then I went back home.




TO GET TO THIS PLACE

On Aleppo Road,
In New Freeport, there are wonderful
things, rich and wonderful things.

Old houses made of dark crumbling
Wood that remembers what was,
A dry waterless sandy creek
And an old and tired bench
Where an old grandmother sat
And turned, with bent and gnarled
Fingers, the pages of a book
While whispering magical words
That filled a child's imagination.

Keep moving past a graveyard where
Old and broken and long forgotten cars
That yesterday were shiny new cars that
Once took children to faraway colorful fairs.

And past some jumping deer going up a
Steep hill to get back to the forest to hide,
To get back to familiar safe places.

A shiny white gazebo stands alone on
The grand grass where dolls sit
Wearing fancy hats and having sweet tea.

To get to this place you will need to
Go the other way, go that other way,
Go a different way to be taken away.




WHERE THE ROAD STOPS

On Via Regina,
In Griante Como, I knew I
Was very far away from
My own home and
All places familiar,
All things remembered
And then easily forgotten.

This street with this view was
Created by some artist with sentimental
Sentiments and great attention to
Detail from his own mind's eye: the buildings
With arched entrances, the restaurants where
Diners eat outside under white umbrellas or
Under the clear blue sky next to the perfectly
Sweet green round trees near the boats
On the lake coming and going,
Going and coming.

The remote and fancy street looks out
Upon a gorgeous lake with mountains
High above in the distance on the other side
On all sides.

On the other side, there's a soft
Mist above those mountains with a
Tiny village sculpted right into the
Mountain above the view of the lake
Behind the red flowers, red flowers
On this side.

This place, where children grew up
And in later years returned to
The same place with the same view
Of the mountain under the mist
And the tiny village sculpted right
Into the mountain.

This might be a good place to stop
A fine place indeed, to stop.
Because after all, all journeys end
And where do I go from here?
Where can I go from here?


© 2010 Marjorie Levine

Tuesday, October 2, 2012

Marjorie, the photographer

These are some photos I took which are among my personal favorites. I hope you enjoy them; may I aspire to think they are "eye candy?"








Tuesday, September 25, 2012

Jack Kerouac in The Observer

Jack Kerouac's ex-girlfriend lifts lid on beat novelist's rise and fall


Jack Kerouac speaks


“My whole wretched life swam before my weary eyes, and I realized no matter 

what you do it's bound to be a waste of time in the end so you might as well go mad.”

― Jack Kerouac, On the Road: The Original Scroll

Tuesday, September 18, 2012

THE AWAKENER, a book review


"The Awakener" is a beautifully written memoir that takes the reader to personal and heartfelt places of great joy and bittersweet memories.

Helen Weaver talks about her relationship with Jack Kerouac, and the book is so richly developed and defined that I felt the scenes were unfolding like a well-directed independent film. I was very caught up in the story.

I also had the feeling that I was becoming part of a wonderful time gone by... and I was motivated to visit several of the addresses mentioned in this book to put a visual to the text as the pages unfolded. 

Helen Weaver also discusses her other relationships from long ago... and she writes with honestly, clarity, and sincerity in terms of the direction of those relationships as the decades passed.

 Jack Kerouac, in "Desolation Angels," wrote: "So I actually felt like marrying Ruth Heaper and moving to a country home in Connecticut."

 If you are nostalgic for a time gone by and you want to hear "Ruth Heaper" tell her story, this book is a must!

"I'D LIKE TO APOLOGIZE TO EVERY TEACHER I EVER HAD"


Tonight I attended Tony Danza's presentation and book signing at Barnes & Noble on Broadway and 82nd Street in Manhattan.

 I had the opportunity to stand and state my own personal opinion and I addressed the new direction in education where teachers are expected to "engage" the students. I told him learning is hard work and success in school is a result of attentiveness in class and serious study.

 I believe the teacher is not the entertainer and learning does not always have to be fun. He was very receptive and I think he got it. He said he does believe students need to understand that it is their responsibility to learn.








Sunday, August 26, 2012

Stu Trivax, stand-up comic

This is a video from 1984 which was taped at The Comic Strip. My friend, Stu Trivax, is in this video and although I have not spoken with him in a few years... I am going to try to post an interview and some recent photos of him. Stay tuned. 



Sunday, August 5, 2012

Joanne Trattoria

Joanne Trattoria is Joseph and Cynthia Germanotta's new restaurant, and they are the parents of Lady Gaga. I stopped by today to talk to the manager before the restaurant opened for dinner, and I was permitted to take some photos. Divine, no?


Sunday, July 29, 2012

Wayno Draino, artist/actor/stand-up comic

this from January 2010:

I had a late lunch today today with Wayno Draino at a diner in Manhattan. We spoke for a long time and there is much to write so this interview will be put up in parts.

Wayno was born in Bayonne, NJ. He declares: "I was born under the smokestacks of Bayonne, and that is why most people think I have brain damage now. At the hospital, the birthing room is underneath the smokestacks and when the babies are born they get that toxic injection of smoke to prepare them for living in Bayonne. If they don't, they can die within a month." Wayno says the air in Bayonne is 60% nicotine. He grew up on a cul-de-sac, 75 feet from a chemical container. When he was a kid, he used to play "hide and go seek" and hide on top of the tank. But, "it is really tough to hide when you are glowing."

Wayno was an illustrator who did not really play with other kids because he was very introverted. He says in Bayonne everybody was beating each other up all day long. He learned to play hockey and football not because he wanted to be a great sports man. He liked tackling and punching the other kids.

He always was looking for friends... so when he was a teenager he was sitting around on the docks at his Long Beach Island summer home and everybody was real quiet. You could hear the crickets. He was introverted, but he started talking. The more he talked, the more the girls liked him. He would tell stories about his life; his wild and crazy days. He was overly animated and added punchlines and would "crack everybody up." It was an amazing feeling getting everybody in the group to laugh. He felt "connected to humanity" which is a feeling he almost never had. He was truly happy when he saw people around him laughing and that is why he began doing stand-up. And comedy is also a defense mechanism that helps him get through miserable days. It was very dark and industrial in the part of town in which he grew up and Bayonne was "not a very happy place."

Wayno said his whole family was in the TV business. His father was a film editor for CBS and at the end of his career he had his own film editing company that edited TV commercials. Early in his career, Wayno was a "shock" comic to get the attention of the audience. I met Wayno in about 1988 at the Eagle Tavern, which was located on West 14th Street in NYC. The pub had great comedy open mic nights for beginners, and this is Wayno from 20 years ago doing stand-up. We got along and became friends, and Wayne cast me as his mother in his film, which he said I could call "Challenged Superheroes." It actually had another name.... and Wayne laughed when I told him I was changing the name of the film for this blog. Anthony Ribustello was also in the film. Wayno told me the film in which I appear will soon be up on YouTube. I still can remember my first line: "Hey everybody, Wayne's here." And Wayno reminded me that I was in the illustration of the film for his "New Underground Magazine."

We went on to discuss Dan Aykroyd's "Out There" show. Wayno Draino worked for the show as a graphics and animation producer for 6 weeks. After 60 shows were recorded, the show was cancelled.

Wayno is indeed outrageous and he went on to tell me how his "doodling" got him into some recent trouble on a plane. I was really laughing. He certainly has a way of telling a great story.

Wayno Draino has given written permission for all of his art work (posted below) to appear at this blog.



Henriette Mantel, actor/writer/director

this from September 2009:

Henriette at IMDb

Henriette is a morning person. I am a night owl. So this interview took several months to coordinate... but, it finally happened in a diner on the Upper West Side of Manhattan at about noon today.

I have known Henriette probably since 1986. I met her at a comedy club called The Eagle Tavern, which was on Ninth Avenue and West 14th Street. It was right next door to where Comix is now located. We were a group of comics that performed on all different levels. Jon Stewart and Henriette "killed" on Thursday nights and I plodded along mostly bombing but nevertheless enjoying myself and receiving great encouragement from the club's booker, Tim Davis. I thought Henriette was an amazing comic, and I went to see her at Caroline's... which back then was a small club on Eighth Avenue. I also saw her at a club on Grand Street called Comedy U. I remember seeing Sue Kolinsky, Susie Essman, and Joy Behar do short sets at many of the same shows. Henriette impressed me with her sharp and topical wit and she was smart, clever, and always very funny. In the years that followed, I would bump into Henriette in the neighborhood and in places like Whole Foods... where we would stand by the hot prepared foods and schmooze about life and stuff. Today, I had a chance to really catch up with Henriette and hear her talk about her work.

In 1978, Henriette was 21 and working for Ralph Nader. Years later, in about 1987, when Henriette was working in comedy clubs... she met the comic Steve Skrovan who was fascinated with Ralph Nader. He was always asking about Ralph Nader. Henriette was so happy that a comic was smart enough to ask about something other than himself and they started to talk.

In 1999, Steve had a deal for a sitcom and he wanted to write one about a consumer advocate's office. So Henriette introduced Steve to all her "old cronies" and Steve wrote a pilot but no network bought it. They discussed Ralph Nader and the presidential election of 2000, and they decided the story had to be told because it was so convoluted and people had no idea what really happened.

They decided to make a documentary. Henriette had worked with Michael Moore and on the reality TV show "The Osbournes," so she had some experience in filmmaking. The documentary, "An Unreasonable Man," was made and screened at Sundance... and they were short-listed for an Academy Award.

Henriette is very proud of this film because it tells both sides of the Ralph Nader story. She feels the movie educates people and this makes her feel very good. Henriette says, "Two comics made a very serious documentary." And what an excellent documentary it is!

"An Unreasonable Man" was reviewed on January 31, 2007 in the NY Times. It was called, by a viewer at IMDb, a "brilliant, in-depth examination of Nader and his societal interactions" and you can read that review here.

Henriette talked a little about her "great experience" working for Michael Moore. Since she worked with Ralph Nader and coming from a background in politics and comedy... Michael Moore was perfect for her. She wrote for his series, "The Awful Truth," and she really enjoyed writing for the segments. Her work included writing voiceovers and structuring the pieces.

I asked Henriette what she is doing now. Henriette wrote a book with Teri Garr called "Speed Bumps" which is about Teri Garr's life and multiple sclerosis. She told me she just wrote a children's book, and she is working on another docmentary, and she just wrote and directed a "short" film called "Pink and Blue." It is about a policeman who had to make a call on a woman because all the neighbors heard screams coming from the apartment. And Henriette looks forward to writing and directing a feature film.

Henriette sort of phased out of stand-up because she is "tired at night." If she could "do stand up at 11 in the morning," she would "really like it..." She loves writing and no longer has that mad desire to go on stage at midnight and make people laugh anymore. I laughed to myself because there is that morning person surfacing again.

So, the interview ended and I left the diner and walked down Broadway to the subway to take the #1 train back to Chelsea. I walked and wondered if as we grow older do we become defined by whether we are either morning or night people. I was very glad I got up early and met Henriette for this interview. She is an interesting and talented woman whose intelligence and eclectic career I very much admire.

Several hours after the interview ended, I realized I had forgotten to tell Henriette that my first car was a 1962 light beige almost gold Chevy Corvair...

Kevin Meaney and Henriette Mantel in "In the Middle"

Mark Ebner, investigative journalist


This is a quote from my friend, Mark Ebner, investigative journalist.

"The next person that messes with my talented friend Marjorie Levine will have to answer to me. In other words, I’ll be investigating you next, and you really don’t want that."

 Mark Ebner

  Mark Ebner Host of RICH & RECKLESS


Friday, June 15, 2012

Lisa G's "Sweet and Meet"

me with Jon Lieberman



me with Jason




me with Mariann from Brooklyn















Tuesday, June 5, 2012

spontaneous joke I wrote today

What did the yachner say to the yenta? Stop spreading lashon hora. © Marjorie Levine June 5, 2012