Tonight, I went to Brian Gari's book signing at The Drama Book Shop.
It was very quiet under grey skies on West 40th Street as I approached the book shop's event.
This was taken during the reading and talk:
Brian signed my book and then we took some photos.
Ilene Kristen (Ryan's Hope) was also there and so we took some more photos.
And Joe Franklin, who hosted the event, stayed to chat with everybody who attended.
Brian Gari is the grandson of the legendary Eddie Cantor and he is a talented musician and songwriter. I interviewed Brian in 2009 for marjorie-digest, and you can read that interview at that blog along with many other entries there about Brian's busy life.
Alan Berliner's new film, “First Cousin Once Removed,” documents the decline and the death of his cousin, the poet and scholar Edwin Honig.
I was fortunate to see a shorter version of this film a few years ago at The New York Film Festival... and it is moving and brilliant. It is currently available on HBO at On Demand.
The filmmaker Alan Berliner is my friend and he was the inspiration for all of my work at my many blogs. I wrote about my meetings with Alan here:
Opening Party for Alec Baldwin's Curated Rock Paper Photo Collection When: Mon, July 1, 7:00 PM - 9:00 PM Where: Gallery 151, 132 West 18th Street, New York, New York Admission: Invite Only Description
On Monday, July 1st, Alec Baldwin will unveil an exclusive curated collection of iconic rock photography, featuring 30 photos of music and film legends hand-picked from Rock Paper Photo's comprehensive online collection. Presented by The Macallan and InsideHook.com at Gallery 151, the exhibit will include rare photos of pop culture icons like The Beatles, The Rolling Stones, Michael Jackson, Elizabeth Taylor and David Bowie, among others.
It was photo op time! I was able to get a few shots, through the glass walls, of Alec Baldwin (in the forefront with his back to the camera) and his daughter Ireland (back to the camera in a white dress) when Alec Baldwin was being interviewed by Lisa G (in the red pants) and High Pitch Mike (in the white shirt), from the Howard Stern Show.
Between Muirfield Road and Culduthel Road,
In Inverness, there is a street with no name.
But, you can get there.
An old stone building is quietly hidden
Surrounded by a low iron gate
In a lush green fragrant forest.
All sad sounds have fallen away
The many footprints are gone
And all that is left is the still.
The now boarded up windows
Allow no lights from inside to
Show the way home
And I think
Nobody is home
In this long ago forgotten home.
DESERTED HOUSES
On McDonald Road,
In Lovington, on the dusty
Road under the blue sky
There is an old wooden
House that is deserted.
There's nothing left of the roof,
Or the porch, or the doors.
I traveled down that lonesome road
And saw another house, also deserted.
And then another, set far back and
Looking all broken and empty, too.
I suppose at some time people
Played here, and danced here
Maybe they even sang here
In these now empty rooms.
But, they are all gone now
And nothing is left to hear.
Not the songs they sang or
Even the sound of the wind
That once was, once was
Right there and heard
On days long gone.
PICTURE PERFECT
On Tazewell Avenue Southeast,
In Roanoke, some houses sit very high
Above the street under a bleak grey sky.
The trees are suffering and bent and leafless
And the air appears to be chillingly cold.
I wonder who climbs those long steep
Staircases to sit closer to that foreboding
Sky, where clouds cling together trying hard
Not to let thin patches of blue peek through
Because the view might be less mysterious.
THIS HEADY ELIXIR
On Clifton Hill,
In Niagara Falls, there is a soft intoxicating
Smell in the air of sweet and heady nostalgia.
Walkers cross the street to a bright lush green
Park and the water is then behind them as a
Light mist sprays their backs and the
Visuals turn into blurred memories
Set in stone.
All the excitement is about to begin.
There is a turquoise haunted house,
A beckoning moving theater,
The wax museum,
And a souvenir shop:
It's a massive swirling kaleidoscope of
Dreamlike and almost surreal color.
Then, in the center of all this heady elixir
Is a glorious and perfect SkyWheel,
Where I imagine children sit with parents
High up above it all, setting the graphics into
What will years later seem almost
Hallucinogenic.
BY THE SEA
On Coast Road,
in Larne, two people stand
Between the purple rocky cliffs and the
Pale colorless sea on the other side of
Yellow and purple flowers.
Cars pass by with drivers and passengers
Whose faces I will never see.
There is an open gate with a path that
Leads to an unseen place.
And soon, there is a sign that says,
"Boats," and then the sky turns magically blue.
But, in the distance the clouds are so low that
They touch the water.
STANDING STILL
On Højdevangs Allé,
In Copenhagen, the flowers
That line the street
Are so fragrant that two
Women stopped walking.
They stood between two buildings
To look at small blue flowers on
One side while purple and white
Flowers flourished without moving
Behind them, on the other side.
THE LIGHTHOUSE
On Main Street,
In Chatham, there's a lighthouse
Between the red, white, and blue flag
And a white house with a red roof
All at the end of the street.
There are cars looking to park and
Men pushing baby carriages
And women with shopping bags
And everybody is going one way:
To the ocean, to the blue ocean.
There's a lantern there to light
The way back at night to other
Places: to other places near to here
So that the walkers can go
Back the other way to reach home.
And the way is lighted so the drivers
Who have come from far away from here
Never quite reach the end of the street
At the end of the day.
REMEMBERING AN OLD STREET
On Main Street,
On Martha’s Vineyard, I am
Filled with bittersweet memories.
I remember Main Street...
I was there, so long ago.
I can still smell that ocean air,
So briny and salty and
All those summers come
Flooding back.
The day we ate in the diner
And how the jukebox blared all
The songs we loved.
In spite of all the quaintness
Of that lovely and charming place
I longed with desperation
To be some place else.
I suppose we are what we carry
Inside us and in spite of that
Heady beauty, whenever I was there
I longed to be somewhere else.
I suppose there are places that always
Make us want to go home.
ORDINARY THINGS
On Main Street,
In Northport, there is a
Guy standing in the middle of the street
Wearing an orange helmet
And a lady, riding a bicycle on the sidewalk,
Wearing a pale straw sun hat
And two children walking home from school
Wearing book bags and carrying skateboards.
A beautiful house proudly displays the flag,
There are two churches on both sides
When you reach Church Street
And one has lovely pink flowers in front.
There's a post office, a bank,
The fire department announcing
The "Fireman's Fair"...
In front of pristine houses on a crisp clear
Day ordinary things are happening
Where extraordinary things happened.
Nothing remarkable here at all
To speak of the remarkable man that
Once lived here.
Pass through this town, keep driving
Keep going, don't look over your shoulder
Keep going until you read the end:
The water with the boats and the looming
Hill on the other side
And you know you can't turn back.
GOING THE OTHER WAY
On Larimer Street,
In Denver, I went the wrong way
Because the sun was endlessly bright
And my eyes hurt.
So, I winced and decided to turn
Around and see a different view
And go the other way.
I longed for night, so the darkness
Might blur the vision.
In sunlight, there were too many new
Things and I longed for the
Old buildings; these pieces didn't fit.
This music is too now,
And the haircuts are too today.
These silvery parked bicycles
Have taken short trips.
The billiard club fills me with despair
For times gone by so I go over
And look at all the hanging beads for
Making necklaces, as if they held a key to
Some magical thinking and wearing beads
Could bring back what once was.
I wondered if this pawn shop
Accepts memories,
And keeps them safe
Until later when the memories
Are bought back.
Nobody finds places long gone.
But, taking back memories
Makes me smile.
On this street,
It would be fitting.
WHAT REMAINS
On Merrimack Street,
In Lowell, there's a signpost
That says: Detour.
Maybe he never should have
Taken the other road,
Maybe he should have gone
Back, gone the other way
And stayed on these roads.
The air at the end of these
Roads becomes thick and
Dense and there is fog.
Here, on lonely low bleak cloudy days
There are quiet somber and grey
Places: big old several storied houses
With many front steps and slanted roofs
And lots of windows for eye prints.
The houses on University Avenue
From long ago are comforting with
Stubborn intoxicating attics whispering
Secrets obsessed with what
Was, so returning to this street
Reveals air like a strange pentimento.
Old stores with faded signs, corner
Places that never ever yielded or
Changed and they don't bend, they
Remain strong, proud, and solid.
If he stayed for more than a short
Time he always heard the swing
Music; drizzling so he could remember.
At night, in dreams, when
The way became lost, he
Soon realized he never left.
All that time, all those years
His eyes were just closed.
The boarded up windows gave
Him reasons to cry.
Now, this is the end of the seductive
Road, his forever destination:
A place that always surfaced
When sad dreams and deep
Longing finally fell away...
And he had to return to this place
Like a traveler who finally uses his
Return trip ticket.
Home.
THIS PENTIMENTO
Via Comandante Simone Guli,
In Palermo, a street so old that
High above wives still hang the wash
Out over the black iron balcony gates
Next to green leaves and blue and white
Striped curtains falling out of windows.
Once children stood there with mothers,
Waiting for fathers to return home.
The red flowers now sit high over sad
Graffiti and a tobacco shop which
Serves as some reminder not
To obscure the view.
THE FRONT OF THE LIBRARY
On West 10th Street,
In Kansas City, there is a
Library that looks like
Books.
The front looks like
Big books all
Next to each other
All tall and proud.
Catch-22, Oh Pioneers!,
And Fahrenheit 451
To the left, and
Lord of the Rings, Truman,
And To Kill a Mockjngbird
To the right.
Take a walk through
The middle doors,
Right through the middle
And go inside, go all the way in
Walk right inside the books to the
Places the stories can take you.
THE BASKET BUILDING
On County Highway 585,
In Newark, there's a seven story
Building
That looks just like a basket.
I didn't want to be outside the
Building,
I wanted to be inside.
I wanted to be inside that basket.
And when I was inside,
I wanted to join hands with
Everybody else who was inside
And sing a song.
Some places are just like that.
They inspire singing;
I left this
Building,
This road
With a basketful of smiles.
SCENES FROM LONG AGO
On Beard Street,
In Kernersville, there are colorful
Wall murals which give glimpses
Into what was, long ago.
I saw ladies in billowing long
Red and white dresses standing
With gentlemen wearing tall hats
All waiting at the railroad station
For family arriving from faraway places.
Soon, they would all step into a horse
Drawn carriage to take a short ride home.
Nobody looked up to see the child
Perched high above who on bleak days
After school would climb to the flat roof
To wait for the trains to pass.
The trains were carrying weary passengers
Traveling to faraway places, and they were
Also going home.
Many years later, she would remember
The sound of the whistle as the trains
Passed and she would speak of the sound
As both sad and mournful,
Perhaps because it always
Strangely reminded
Her of all times past.
VISITING THE DEAD
On Maiselova,
In Prague, so many people
Come to visit the long gone
And dead at the Jewish
Cemetery near
Staronova Synagogue.
These are the dead from
The ages: they were born,
They lived, they loved,
And what's left here now
Is the dust to dust.
Visitors walk slowly as if a
Mere whisper might wake
These dead.
All the many people tiptoe
Quietly around and around
The wall around the old cemetery.
They walk around to get to the
Other side where there are boats
On the still water and newer things.
And they speak, or speak not,
Of times long ago.
The clock in the high distance
Reminds that time always passes,
It passes and passes and passes
In time with the heartbeats,
And there is always a solid wall to
Separate the living
From the dead.
OPTICAL ILLUSION
On Edinburgh Street,
In Winnipeg, parts of the ground were still
Covered in snow under a crisp blue and
White sky that almost crackled with sharp
Definition and clarity.
It was there that I turned a corner
And stopped at a driveway and saw
In the icy cold snow carved footprints
That finally reached an almost
Tropically lighted home.
THESE DAYS
On the Promenade,
In Blackpool, exquisite wonder
And bright colors create an intense
Kaleidoscope of magical fun.
There's a high tower and
Amusements and prizes and
Horse drawn carriages riding next to
Modern cars.
On the pier, there's a Ferris Wheel with
Rotating gondolas perfectly suited for
Grand and glorious views
Of luminous illuminations.
Luminous illuminations
All right by the sea
By the sea, so all the children
Who come here
Will remember these days.
PRETTY WALK
On East Guenther Street,
In San Antonio, I felt I should
Be wearing fancy ribbons in my hair
Because the houses are so pretty.
I passed by houses that are
Treasures with artistically sculptured
Facades and stunning lace screened
Verandas where guests might dine
On tea cakes spread out on crisp white
Doilies and later when the sun goes
Down, talk of small things that matter
And rinse their hands in dainty
Finger bowls to keep things fresh.
There's a place to stand to view the
Spot where the breathless
Flowing river passes through
Bringing a sense of sameness.
I got lost on this intoxicating street,
Longed to stay, and knew I could return.
There's a sense of serenity in this old
Comfort as the sunlight falls on this same
Street as it has fallen on this street forever.
THE GHOSTS OF GAY STREET
On Gay Street,
In New York City, there are quaint
Red and white and orange houses that are
Intoxicating because they are so old and little.
There is a building with turquoise shutters and
There are pinks and red and white flowers in
Lovely window pots and green trees
To the left and to the right.
The facade is frozen, but not the living...
Or the dead.
It is said that number 12 is...
Haunted. Maybe so.
But,
It is the house across the street where I see
A ghost.
She is peeking out from the second floor window
On the left side of an orange brick building.
She has bushy eyebrows and one hair roller
Sits on the top of her head.
Her mouth is open as if she is startled and
She appears to be more frightened than the
Tourists who down below night and day
Haunt the street looking for the
Ghosts of Gay Street.
SEEING ALMOST NOTHING
On Repatriation Road,
In Pickering Brook, I drove
For a long time
And saw almost nothing
Except the narrow road
Ahead and trees on both sides
With nothing behind me
And nothing ahead of me.
Then, I saw a tractor on one side
And a low gate on the other and
I knew I was reaching a place.
Some place.
Then, I saw a tiny little house
All alone there behind some flowers.
It had a front porch with old chairs
And some other muted things.
In front of the house was a tree,
Three times taller than the house!
I kept going.
I kept going
Chasing the end of that road.
Until I reached the end of the road.
Literally.
And then I went back home.
TO GET TO THIS PLACE
On Aleppo Road,
In New Freeport, there are wonderful
things, rich and wonderful things.
Old houses made of dark crumbling
Wood that remembers what was,
A dry waterless sandy creek
And an old and tired bench
Where an old grandmother sat
And turned, with bent and gnarled
Fingers, the pages of a book
While whispering magical words
That filled a child's imagination.
Keep moving past a graveyard where
Old and broken and long forgotten cars
That yesterday were shiny new cars that
Once took children to faraway colorful fairs.
And past some jumping deer going up a
Steep hill to get back to the forest to hide,
To get back to familiar safe places.
A shiny white gazebo stands alone on
The grand grass where dolls sit
Wearing fancy hats and having sweet tea.
To get to this place you will need to
Go the other way, go that other way,
Go a different way to be taken away.
WHERE THE ROAD STOPS
On Via Regina,
In Griante Como, I knew I
Was very far away from
My own home and
All places familiar,
All things remembered
And then easily forgotten.
This street with this view was
Created by some artist with sentimental
Sentiments and great attention to
Detail from his own mind's eye: the buildings
With arched entrances, the restaurants where
Diners eat outside under white umbrellas or
Under the clear blue sky next to the perfectly
Sweet green round trees near the boats
On the lake coming and going,
Going and coming.
The remote and fancy street looks out
Upon a gorgeous lake with mountains
High above in the distance on the other side
On all sides.
On the other side, there's a soft
Mist above those mountains with a
Tiny village sculpted right into the
Mountain above the view of the lake
Behind the red flowers, red flowers
On this side.
This place, where children grew up
And in later years returned to
The same place with the same view
Of the mountain under the mist
And the tiny village sculpted right
Into the mountain.
This might be a good place to stop
A fine place indeed, to stop.
Because after all, all journeys end
And where do I go from here?
Where can I go from here?
"InNo Kidding, comedy writer Henriette Mantel tackles the topic of actually not having kids. This fascinating collection features a star-studded group of contributors—including Margaret Cho, Wendy Liebman, Laurie Graff, and other accomplished, funny women—writing about why they opted out of motherhood. Whether their reasons have to do with courage, apathy, monetary considerations, health issues, or something else entirely, the essays featured in the pages ofNo Kiddinghonestly (and humorously) delve into the minds of women who have chosen what they would call a more sane path."
"Hilarious, compelling, and inspiring, No Kidding reveals a perspective that has too long been hidden, shamed, and silenced—and celebrates an entire population of women who have decided that kids are just not right for them."
I attended the HB Studio Annual Poetry Festival tonight and read five of my poems: WHAT WAY TO GO TODAY, NAP TIME and DAWN ON SEVENTH AVENUE (from the collection NAKED AMNESIAC) and DESERTED HOUSES and TO GET TO THIS PLACE (from the STREET POEMS collection).
I arrived at Bank Street at sunset... and in the distance the view of the Hudson River was glorious. The street was quiet, calm, and serene... a perfect setting for a night of poetry. Rasa Allan Kazlas organized the event and she was most gracious. She has vast credits in theater both as an actor and director.
I read my work and mingled with the other great readers and then left and walked home in the gorgeous evening.
I had a great night! HB Studio remains inside me always because it was there, in about 1966, that I studied technique with James Patterson. My acting partner was a very young Robert DeNiro, and we did a scene from "The Diary of Anne Frank."
I wanted to love this film. I waited so long to see it because the company that distributed the film did a terrible job in bringing it to a wide audience sooner. I had to wait until it was up On Demand on Time Warner Cable in NYC. I watched it in HD on my TV, but the "letterbox" format was very small and off-putting on a TV.
The film is... (in my opinion of course) awful. I don't even know where to begin. It's filmed partly with the hand held shaky cam, I suppose for some realistic or artistic effect, but it is just dizzying. But, what makes this film a huge disappointment is that it lacks "soul." I never got a sense of the spiritual journey "Sal" was on. It's just so superficial and filled with "noise." It is over acted in parts and I never sense any "truth" from the actors who played the real people. The book, On the Road, is haunting. I read it and became obsessed and possessed. This film never even comes close to getting inside me. It seems miscast and the actors seem to have no sense of the material. It's superficial and the actors are so
wrong. They just do not get it right.
And, it is not true to text. At the end (of the book) Sal says good-bye to Dean on West 20th Street in NYC. In the book, Dean "rounded the corner of Seventh Avenue, eyes on the street ahead, and bent to it again. Poor little Laura, my baby, to whom I'd told everything about Dean, began almost to cry." In this film, the final scene does not take place at that location or even end that way. That's just disgraceful.
How could this happen? What were they thinking? The film does not inspire and it does not make me want to learn more about Jack Kerouac, the amazing and brilliant writer. We never get any sense of "the man." It's just
sad.
I am depressed. I feel sick inside that a book so magical and so loved could have finally been made into a film and, in my opinion, be such a failure.
I shared my review of the film with some "Beat scholars," and today I received a reply from Helen Weaver, a former girlfriend of Jack Kerouac.
Helen writes:
"Thank you so much for your honesty (Marjorie). I was sure the movie was going to be awful, because how can you make something cinematic about what is essentially a poem? I've had no desire to see it, even before Joyce Johnson read the script and told me it was terrible. I know you're right, and you've absolved me from the duty to watch yet another failure to understand Jack's masterpiece."
Helen, thank-YOU for your reply.
My piece about Helen Weaver appears at this blog here:
I was more than excited today when I bumped into the legendary Storme DeLarverie as I was exiting the Clearview's Chelsea Cinema after seeing "2012." I have known Storme for years and years... because at one time she lived in my apartment building. I was rushed and Storme was going home... so we did not have time for an interview. But, I did have time to take her photo and it appears above at this blog with a photo taken in 1958.
The photo from 1958 appears below and is a photo of my family on the night we went to Ben Maksik's Town and Country Club, on Flatbush Avenue and Avenue V in Brooklyn, NY. We went that night with the Parkers and the Cranes to see the "Jewel Box Revue." The infamous Jewel Box Revue was a popular "drag" performance group which toured America and the ensemble was composed of about 24 males dressed beautifully as females and one biological female dressed in a suit as a man. That man was Storme and she was in the show that evening as the MC and male impersonator.
I had no idea at the time that so many years later I would meet the star of the show, Storme DeLarverie, and that 51 years after that night I would be walking in Chelsea and hear the wonderful and recognizeable voice of Storme calling, "Hey, doll." In so many imaginative and wonderful ways, bumping into Storme tonight helped me end the day with a smile.
I am hoping to interview Storme soon, but until that time please learn more about her here:
